“Pathways Into Darkness Revisited: The Archaeology and Mystery of Petroglyph Cave, Cayo District, Belize”

with Barbara MacLeod and Dorie Reents-Budet, Ph.D.

In the spring of 1978, a group of graduate students and cave explorers undertook a five-month archaeology project in a deep sinkhole cavern largely unknown to the outside world. Visited once in the late 60s and next in 1971 by Barb MacLeod and local bushman Reuben Cox (who had found it previously), the cave was immediately recognized as the locus of extensive Classic Maya ritual practice within an awe-inspiring ceremonial space. Subsequent visits over several years by MacLeod (then attached to the Belize Department of Archaeology as a Peace Corps Volunteer), together with Department staff and visiting cavers from the US – led to further exploration and new discoveries in the great entrance chamber and the cathedral-like rooms downstream reachable via a deep underground river. Dozens of human sacrificial remains – both infants and adults – were found in two principal chambers.

The 1978 University of Texas-Austin project was the first formal archaeological investigation of Petroglyph Cave – named for the many geometric images carved in ancient times along the edges of a steep series of dry rimstone dams. Barb’s talk will share images, stories, and artifacts found in the cave during the years long before its transformation into a destination for high-adrenaline adventure tourism.

Barb at Copan
Barbara MacLeod
received her Ph.D. in Anthropology from the University of Texas/Austin in 1990. For four decades, she has been an independent academic and an active contributor to the field of Maya epigraphy, specializing in linguistic approaches to decipherment. She has led a life of adventure exploring and mapping Maya caves.

Dorie Reents-Budet

Dorie Reents-Budet completed a BFA in studio art at the University of Northern Colorado. Following a nascent art and auto mechanic career in Colorado, she went on to graduate studies in Mesoamerican archaeology at the Universidad de las Américas in Mexico, and completed her MA in Anthropology and Ph.D in Art History at the University of Texas at Austin. There she met Barbara, and their collaborations continue today.
Dorie has taught at the University of California at Santa Barbara and Duke University. She was visiting curator at the Museum of Fine Arts Boston for 20 years, and done special projects at other museums including the Gardiner Museum of Ceramic Art (Toronto) and Casa K’inich (Copán, Honduras).
Dorie specializes in Maya ceramic studies. She is senior research associate in the Department of Anthropology, National Museum of Natural History, Smithsonian Institution, serving as art historian for the Maya Ceramics Project in collaboration with Dr. Ronald L. Bishop. Publications include museum collections catalogs, many articles, and Painting the Maya Universe: Royal Ceramics of the Classic Period.

“The Encounter of the Long Count Keeper”
Poem and Song by Barbara MacLeod

Please listen to the song before reading the words in the August IMS Explorer. “I wrote this song in 1972 while I lived in Belize and on this occasion performed it in the Blue Hole sump chamber (still a very secret place) with magnificent echo properties. It is here recorded by myself and Carol Jo Rushin as we sat in a canoe with guitar and tape recorder. Absolutely inspired by my early visits to Petroglyph Cave.